Volume 3 Issue 36
by Rabbi Mordechai Kamenetzky
The Book of Numbers begins just that way - with many numbers. It counts the
Jews who were in the desert and assigns unique divisions for each of the
tribes. Every tribe has its own flag and position among the great camp of
Israel. They are strategically placed around the Mishkan, and grouped
accordingly. This division is somewhat troubling. Why isn't there a
concept of a great melting pot under one flag? Moreover, the singling out
of the tribe of Levi raises more questions. "Bring the tribe of Levi close
and have them stand before Ahron and they shall serve him (Leviticus 3:6).
The Torah relates the specific tasks of the descendents of Levi and also
warns the stranger, the ordinary Israelite, against attempting to join in
those tasks. Why is there further division in the ranks of Jews? Why
can't the Israelite do the task of the Kohen, and the Kohen the task of the
Levi, and the Levi the task of the Israelite?
The great Arturo Toscanini was conducting Beethoven's Symphony #3 back in
the late 1930s with the NBC Symphony orchestra. The outdoor concert was
held at City University's Lewisson Stadium and was well attended. The famed
trumpeter, Harry Glanz, was going to play the offstage trumpet, an integral
part of the production of this piece.
People had flocked to hear the great trumpeter under the baton of the even
more accomplished Toscanini. Glanz positioned himself in a corner about 50
feet behind the stage ready to blast his notes upon cue. As the recital led
up to that moment Toscanini held his baton high, waiting to hear the sharp
blasts of Glanz's horn. They never came. All he saw was a burly security
guard wrestling with the hapless musician on the grass behind the stage.
The guard was pointing to the stage. "You fool!" he was shouting, "what do
you think you're doing blowing that horn back here? Don't you see there's a
concert going on up there?"
Not everybody who wants to can be up on the stage. In the concert of the
Almighty, every player has his designated position that makes the symphony
much more beautiful. I have a friend who travels the United States and
stops for minyanim all across the country. "Often," he exclaims, "when
they ask, 'Is there a Kohen in the house?' I have the urge to go up there
and pretend that I am a Kohen. I always wanted to know what it's like being
called up first!"
Fortunately, he, like most of us, understands that every person in the
nation of Israel, whether man or woman has a unique role to play. Sometimes
roles are played from the inside, sometimes from the outside, nevertheless,
the offstage trumpeters are just as vital as the onstage ones. And if we
rush the stage to perform out of sync, we can ruin the beautiful harmony of
a carefully orchestrated concert.
The Israelite has the mitzvos that the Kohen cannot perform. He may visit
the dying and assist in the burial of any deceased. It is the Israelite who
gives the tithes and supports the poor. The Kohen and Levi inherit no land
from which they could perform myriad commandments. True , the Israelite
cannot serve in the Temple, but his trumpeting may resound as loud as his
brother's. As long as he plays it in the right position.